Hannah Schmedes
Hannah Schmedes studied culture, film and media studies as well as philosophy at the Leuphana University of Lüneburg, the University of Karlstad and the University of Potsdam. She wrote her master’s thesis in European Media Studies on the subject “Containing: Leaks. A research on figures of the porous”. Furthermore, she is part of the collective texture, within the framework of which she organizes feminist Wikipedia writing workshops. Her research interests include feminist criticism of science, media culture history, infrastructure, as well as their gender-specific meaphorisation.
“A Laboratory for Living Off-World: Re-narrating Biosphere 2”, Réka Gal & Petra Löffler (Hg.): Earth and Beyond in Tumultous Times, Lüneburg: meson press 2021, S. 155-180.
“The Camille Diaries (Art Laboratory Berlin, 26.09.2020)”. In: ArtHist.net, 08.01.2021. https://arthist.net/reviews/24220.
“Unbestimmtheitsspielräume – mögliche feministische Anschlüsse an Gilbert Simondons Existenzweise technischer Objekte”, GENDER – Zeitschrift für Geschlecht, Kultur und Gesellschaft, 3-2019, S. 41-55. https://doi.org/10.3224/gender.v11i3.04.
Lectures
“Containing: Leaks. Figures of containment and leakage in feminist thought”, Vortrag [EN] auf der Tagung Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization. Part II, 23.04.2021.
“Containing: Leaks. Following the oozy, slimy lead of the Witch”, Vortrag [EN] auf der Tagung Technologies of Containment: Ontologies of Porosity, Leakiness and Holding, 30.03.2021.
“A Laboratory for Living Off-World: Re-narrating Biosphere 2”, Vortrag [EN] auf der Tagung Atlas of the Anthropocene, 07.06.2019.
“Crystal Vision from Space. Biosphäre 2 als Zukunftsmedium des ökologischen Diskurses”, Vortrag in der Reihe Prognosen, Institut für Chaos Berlin, 08.05.2019.
“History and Time in Context of the Gaia Hypothesis”, Workshop im Rahmen von MaerzMusik, 27.03.2019.
“Auf dem Weg zum Mars landet man im Reality-TV”, Vortrag auf dem 32. Film- und Fernsehwissenschaftlichen Kolloquium, Filmuniversität Babelsberg Konrad Wolff, 09.03.2019.
