Fri 26.04. – Sat 27.04., Co-Working-Space FH Potsdam
A workshop by and for master’s students and PhD candidates of media studies and related disciplines.
A workshop by and for master’s students and PhD candidates of media studies and related disciplines.
For 2023/24, the ZeM is once again inviting applications to promote inter-university exchange in Brandenburg. This year’s topic is “Control of Loss”.
Research, study, or knowledge transfer: Here you will find an overview of media science institutes and degree programmes in the state of Brandenburg, Germany.
Lecture by Dr. Esther Weltevrede (University of Amsterdam) as part of the series “The Interface Complex”.
100 years ago, radio was established in the German-speaking world as “Rundfunk”. In five case histories, Kai Knörr tells a media history of “Funken” – the electric spark – from the 17th-19th century.
Every Monday DIGAREC is live on Twitch! Play different games together and enter into a scientific exchange about them. Every second Monday there’s a ZeM special!
Internal meeting of the DFG network “Camera Studies” on the influence of specific cameras on the aesthetics, practice and economics of film.
This Open Access book examines historical and contemporary image practices and phenomena, including screenshots, screen photography, screencasts and in-game photography.
Lecture by Dr. Michael Dieter (University of Warwick) as part of the series “The Interface Complex”.
Internal workshop on the influence of COVID-19 based on studies on Indian milieus.
Lecture by Joana Moll (Academy of Media Arts Cologne) as part of the series “The Interface Complex”.
We are pleased to announce that the first six titles of the ZeM publication series are now available in Open Access. They are hosted as a separate series at media/rep/.
Lecture by Prof. Dr. Kim Albrecht (Film University Babelsberg KONRAD WOLF) as part of the series “The Interface Complex”.
Lecture by Dr. Timo Kaerlein (Ruhr University Bochum) as part of the series “The Interface Complex”.
Workshop for German-language research on elementary media with Prof. Dr. John Durham Peters (Yale University).
Maike Sarah Reinerth examines representations of memory and imagination through detailed film analyses from three eras.
In view of the current wars and conflicts, we would like to draw your attention to the aid and support programmes of GfM and the “Working Group Ukraine and Flight” – with the request for your support.
In this book, Marie-Luise Angerer makes the affective short circuits between psyche and machine tangible as not unconscious, but “non-conscious” clockings of movement and time formations.
Julian Jochmaring proposes the concept of a “negative ambientality” to ground current ecological theories in media philosophy.
The number of publications that have appeared is now so large that Kadmos has created a flyer especially for the ZeM series (in German). We thank the publisher for the great cooperation!
For more than six decades, between computer science, semiotics, art and cultural theory, Frieder Nake has dealt with the presence of the computer…
German first translation of a text published anonymously under the title ‘Les Animaux plus que Machines’ (1750)…
The iconic turn appeared more than 25 years ago with a radical proposition…
After the scandalous ‘L’Homme Machine’, La Mettrie wrote further machine-philosophical texts in Potsdam.
“The world is everything that is the case” – derived from the Latin verb cadere, “to fall”. But what is the case? Two authors investigate a concept in dialogue.
With Prof. Dr. Marie-Luise Angerer we have lost a warm, perceptive and dedicated colleague and friend. An obituary by Kathrin Peters in Zeitschrift für Medienwissenschaft (in German).
Overview of the academic events funded as part of the annual focus on “Digital Realities” (2022/23).
Small robust action-cams like the GoPro have lastingly altered the conditions for making images…
A ZeM membership is open to anyone who is associated with one of the participating Brandenburg universities.
It is one of the central feminist concerns to take seriously the reality-constituting agency of narratives….